Perumal Murugan and Home
Perumal Murugan spoke
in Delhi, on August 22nd
2016, at Nehru Memorial Museum and Library, after his two books, One Part Woman, (Maadhorubaagan) and Pyre, were published in English, by Penguin. The foremost question
in some people’s minds was, “Will you be
comfortable in metropolitan cities like New Delhi, Paris, or Berlin?” Murugan,
a quiet, self assured, soft spoken man made it very clear that he longed for
home, that he had never slept under a roof till he was twenty. The great
outdoors, the cowshed, the loveliness of the trees, the rich earth, that was
what he missed most, now that he had been forced out of the familiar places
which he was so intimate with.
One Part Woman
represents the Aradhaneswar cult, a soft and sensuous code for unmitigated
passion, when Parvati comes home to Siva, and merges into him. For those who
hated Murugan’s representation of an
arbitrary coitus as serving the practical interests of people without children,
the traditions of local communities were forcibly sanitized by them, in popular
protests in order to write new cultural histories. Murugan however, was very
clear that tradition and history are suffused in our present. He believed that
fiction merely clothed emotions which still lie latent, and all the
possibilities of promiscuity, when conjoined by faith, deliver us into a
landscape that is peopled with other realities, other truths. To write
intimately of the wretchedness of traditional practice, with the seductiveness
of the novelist’s claim to represent reality, was his only crime. To be forced
to leave home because he told a
historical tale, haunted his days, till the Court came out with the verdict that he was
free to write, “Write!”
The holy hill at
Tiruchengode, Namakkal district, where the
Aradhaneswara (symbiosis of Shiva
and Parvati) cult still exists, is a site of tremendous power. The ancient
Saivite shrines illustrate that the cult of the goddess is dependent on the
absorption of the devi. Much of the advaitin principle of assimilation is
brought to our notice here, in the convergence of symbols, and the secret and
the hidden are represented as important symbols of a cosmic fertility. The
local community reinforces the idea not only of the vividness of sarpa worship,
which are chthonic reminders of ancient cultic forms before anthropomorphism
takes place, but are also emotional
organisers of contemporary representations of fear, sexuality and
effervescence. The rat, the boar, the elephant,
the cow, the bull become the totemistic forms of the meeting of nature
and culture, where their sacred and
aesthetic presence becomes of immense importance. Within this, the segregation
of local communities can be well located in terms of their personal relations
with the animal world. In the hill at Tiruchengode, Amba nestles with Durga,
which communicates the primacy of her status during Navarathri over other
manifestations of the divine.
The hierarchy that Hinduism imposes in tradition is
inviolable when the order of birth is prescribed by tradition. Perumal Murugan
describes this inviolability by looking at how each caste then represents its
order in terms of the consummation of its caste rules. Lower caste orthodoxies
can thus be as powerful as upper caste ones, they can be as forbidding and as
totalizing. The real world view of the poor then closes upon itself in terms
which are borrowed from varna, or colour, and the power of the presence of
existing rules can exclude as much as it can forbid. Love by itself can never
survive in the face of these terrible rules, they foreclose destiny, they
crumple free will.
Perumal Murugan, named after the great Lord at
Tiruchengode, now resides in solitude, in exile with his family in an unfamiliar urban milieu. Yet, the
landscape that he describes for us, is so over powering, so exquisite, that we can only dwell in the calmness of
these rural spaces. Here subsistence farming allows the Tamils their historic
splendor of unspoiled lands, with their
produce of groundnut, rice, sugar cane, jasmines, plantains, palm trees
(providing areca, dates, and nongu, and coconuts,) also the mangoes which
ornament every house, and the moringa
trees. The sea at Rameswaram, with its cross bow of water at nearby Dhanushkodi,
is very close. The blue is turquoise and
grey, and the sun provides us a dazzling
glimpse of this hot, unfettered land. Not far from Tiruchenkode, the
Uttarasumangalai temple presents us the
remembrance of the whispered conversations of Siva and Parvati, an
upadesha which is love itself.
Saivite cults are open to all, choosing the massive hillocks
and flat plains to communicate love and
valour. Here are Perumal Murugan’s people, his multi caste village, his green
topography of cultivated land on red soil that
he longs for most. Surely the Goddess at Tiruchengode will usher his
return home.